Hi. I'm Jenna McGuiggan.
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Tuesday
Sep252012

Worky Work Week Sanity Saver (Day 3): Photos

I have been slowly scrolling my way through these 50 entries from the National Geographic Photo Contest 2012, all featured on the Atlantic's In Focus with Alan Taylor. I look at about 10 at a time, savoring each one, and leaving some to come back to later. (And when I get through all 50, there are still loads more over on the National Geographic site.) I won't post any of the photos here, since that would be a violation of copyright and bad mojo, but I implore you, go look at the crazy, saturated beauty of this world. (Seriously, I implore you!)

What's with the "worky work week sanity saver" posts? Find out here.


Monday
Sep242012

Worky Work Week Sanity Saver (Day 2): Cabbage is a verb.

Today I learned, thanks to a Facebook status update from writer and friend Rebecca Macijeski, that "cabbage" can be a verb. (She found out from OED's "word of the day" email.) Even better: I privately guessed at its meaning and then looked it up to find out that I was correct.

Cabbage: to steal or filch (www.m-w.com)

This tickled my fancy so much that I decided to cabbage Rebecca's revelation and share it here.

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What's with the "worky work week sanity saver" posts? Find out here.

Sunday
Sep232012

Worky Work Week Sanity Saver (Day 1): One debonair cat

This week I am eyeball-deep in work. The workish kind of work that is much more work-like than I like. The kind of pay-the-bills work that I'm deeply grateful for but not so punchdrunk giddy about. I know that for the next sever or eight days I won't be able to keep up with that pile o' responsibility and write anything substantial in this space. Up to my eyeballs, I tell you. But I'm keeping my eyeballs above the fray and committing to finding one thing each day, an image or a moment or a thought, and sharing it here, mostly as a reminder to myself to honor my need for daily doses of joy, wonder, and beauty. It'll be my worky work week sanity saver. I hope to share something the same day that I notice it, but I'm giving myself the latitude to pull from my archives of photos and notes in case nothing tickles my fancy on any given day (or if I get to an evening and realize I forgot to capture anything). In fact, those photos above were taken a few weeks ago, and I'm okay with that. (Isn't Gatwick the Catwick debonair?)

A bright spot this week is the supportive, creative energy happening in Alchemy Inspiration: Start Writing. In another week I'll have so much more breathing space and time to create the kinds of things that I do love. October is going to be great, I can feel it. I'll be recommiting to creative work that flows instead of deadlines that stifle. I'm going to give myself space to dream and wander (inside and out). I'm thinking about partnering with a creative guide to help me see some next steps more clearly. I have a week of "staycation" with my husband planned to celebrate our 11-year wedding anniversary, and then a five-day jaunt to Vermont to see friends, hide away in a spare room to write, walk through the woods, and have a horse riding lesson or two. And then at the end of the month, the final session of Alchemy: The Art & Craft of Writing starts. (Yes, this is the last time I plan to offer that course in its current form. It's been a great run, and I still love the course and still believe that the material in it is good stuff. But I can feel that it's time to shift and to make way for new things to come into being.)

I can't say I'm looking forward to this week, but I'll be here, trying to stay grounded, eyeballs open for the joy-wonder-beauty connections that shimmer, pop, and flare everywhere, even in the midst of workishness.

Thursday
Sep202012

Loquacious: "The Magic of Names" and "Gorgeous"

Loquacious:  full of excessive talk : wordy (www.m-w.com)

Loquacious is a "wordy" series that revels in language. Read more essays in the series here.

This installment of "Loquacious" is a double delight, which is appropriate, since the following essays were written by the delightful Helen Agarwal of Dixon Hill. I met Helen at Squam Art Workshops a few years ago, and I've enjoyed the way we've kept in touch in a sort of dipping-in-and-out, swooping-by sort of way. I swing by to see what she's up to, and she does the same with me. (All of this swooping has been virtual, sadly, because Helen lives in England and I'm here on the other side of the pond.) A connection to place, a sense of beauty, and a love of words suffuse Helen's work with light. I recently wrote a guest post for the "Changing Places" series on her blog, and I'm delighted to return the favor by hosting her here in The Word Cellar with two essays about some wonderful wordy things. Why two? Because sometimes you just can't stop yourself at one when there's so much loveliness and power to explore with language. I'm happy to bring both of them to you.

Gorgeous

By Helen Agarwal

Gorgeous. It's always been gorgeous. Since the very beginning. Since gorgeous first entered my consciousness.

Gorgeous sounds….well, gorgeous. Full and ripe. A word to gorge on. A moreish, succulent, soft yet satiating sound. I have to pout my lips to say it. Which makes me feel pretty damn gorgeous.

Gorgeous is a word to linger on. That first syllable. Teasing. Tantalising. It can be drawn out forever. Emphasised. Leaned into so easily.

The second syllable. It's coquettish. Sinuous in a neat kind of way. Most of all, it's juicy. Gor–geous. Gorge juice. And maybe that's the nub of it.

Favourite word? Gorgeous.

Favourite food? Fruit.

Always, always, always. No consideration, no decision. No questioning my taste buds or bothering my brain cells. Fruit and gorgeous are part of my genetic make-up. They're who I am. Slice me in two and the rings inside would be fruity and gorgeous and fruity and gorgeous and fruity and gorgeous like pineapple rings right back to the moment of conception.

But this is hindsight, this deconstruction of the word. A little erudite, a touch poetic. Until my rambling thoughts wandered down this page, none of this had ever occurred to me. Far from being brazen, gorgeous has always seemed an innocent word to me. Seductive but wholesome. The connotations, after all, are naturally good. Gorgeous is only ever attached to delightful things. Or to rich and resplendent things. Nothing horrible is ever gorgeous.

There's another association. More particular. The dreamt-up hero of my childhood fantasies called me Gorgeous. Not a compliment, you understand, but his fond name for me. Instead of Love or Honey or Pet Lamb (that's another story). To him, I was Gorgeous. And it's stuck. These days, I'm even Gorgeous to myself. As in, "Come on, Gorgeous, you can do it!" when I really don't think I can and I need to cajole and wheedle and urge every last scared or reluctant ring of my being to do the necessary thing.

When it comes down to it, gorgeous is a word I don't need to unpack. For me, it's an evident truth. Of all the scrumptious words in the world (and there are many), gorgeous is simply the most gorgeous.

* * *

The Magic of Names

By Helen Agarwal

If words are powerful, then names have superpowers. They're the magicians of the word world and they make magicians of us, too....rolling off our tongues and dancing through our minds as spells to conjure with.

Our names are generally the first things given us on arrival in this world. Heck, half the time we've been given them before we ever get here. We construct elaborate ceremonies around the giving of those names; and they turn into containers for all we do and become for the rest of our lives. Hurl a name into the ether and it carries with it a mass of associations. Invoke a name and you can inspire an army, terrify a populace, calm a crowd, reassure a baby.

It's not just our own names that endlessly fascinate us. We have a compulsion to name everything around us. A scientist discovers a star, he names it. A child is given a doll, she names it. When you think about it, perhaps the only thing, other than existence itself, that everything in the universe – animate and inanimate – has in common is that, sooner or later, it all winds up with a name.

When I was small, names were my playthings. I wove stories around them, played games with them, compiled long lists of boys' and girls' names in an old blue notebook. Every so often, I'd pore over the lists and choose the names of my future children. The number of my proposed offspring always correlated directly with the number of names I couldn't bear to live without.

I was eighteen when I discovered the power of my own name. With several years of depression behind me, as well as the usual teenage inadequacy, I rolled up to my first day of university and stood in front of the notice boards in the English department. Scanning the lists of seminar groups, my own name leapt out at me. And the shock was physical. I'd felt like a shadow for so long, barely visible even to myself. Yet someone behind one of the doors in that corridor had acknowledged my existence; had accorded an entire place on this course to me. Suddenly my name gave me substance that was tangible and real. A lifeline back into the world.

Years later, names rescued me again. Living far from home, lonely and homesick, I found a small botanical garden close by. I'm big on nature and dappled sunshine, but those weren't the things that drew me there, week after week. It was the labels attached to the plants. And, oh, the names! Wandering the wooded paths, I kept company with the Green Dragon and the Trout Lily, the Sensitive Fern and the Fringe Tree, with Jack-In-The-Pulpit and Rose Vervain, with the Swamp Milkweed and the Small Yellow Lady's Slipper. I "collected" the magical words in the back of another notebook and fantasised about the character of each fairy tale plant around me. The garden became a living storybook. Enchanted.

These days, it's the Pennine hills I roam. No plant labels here. Instead, I send names spinning from the wand of my imagination and create my own reality from the moors about me, giving name to favourite features, telling them they count. And so I walk along The Mossy Path; I visit The Pool of Reflection; I pass The Spindly Tree. Weaving a personal landscape from the physical one around me. Still conjuring a world from words. A world from names.

** ** **

Helen Agarwal lives in a gorgeous house in a gorgeous place in the Pennine hills of northern England – where the names of Cathy and Heathcliff echo round the moors. She writes about her life (gorgeous and otherwise) at Dixon Hill and posts what she hopes are gorgeous photos of her magical world on Instagram. Her e-course, Falling Into Place, is a gorgeous exploration of place and self and the power of names. Helen tries very hard not to overuse the word gorgeous.

Tuesday
Sep182012

Thresholds: Danger & Possibility

beach fire, gearhart, oregon; friday, july 13, 2012

"Twilight is a fascinating threshold for it is then that the light finally falls away and the dark closes its grip on the world. This is a frontier of tension; it is at once beginning and end, origin and completion. Here is where two opposing forces reach towards each other to create a vital frontier filled with danger and possibility."

~John O'Donohue, Beauty: The Invisible Embrace

I'm becoming more and more obsessed with the idea of thresholds, the edges of things, the ecotones of the world, the places where one thing gives way to -- or seeps in to -- another. The here-and-there, now-and-then, this-and-that, both/and-either/or nature of places, thoughts, and beliefs. Even people.

I've written several essays about thresholds (between the visible and invisible, between the known and unknown), and they're making their rounds at literary journals, looking for a home. Even this process is like standing on a threshold, waiting for that one acceptance letter that will transform an essay from one thing (unpublished) to another (published).

While looking through my journals tonight, I found a poem that I apparently wrote in response to a writing prompt (from Liz Lamoreux) back in February 2011 at a Be Present Retreat. I don't remember writing it, but there it is in my own hand, and I have to admit that yes, it sounds like me. It brings up the tensions between things, the thresholds of which I'm so fond. In my journal it's untitled, but I think I'll borrow a line from Mr. O'Donohue and call it "Danger & Possibility."

I don't write a lot of poetry, and I share even less of it, mostly because it always has me walking the thin line between pride and embarrassment (it's own threshold). But finding this forgotten collection of words felt somehow serendipitous tonight, so here it is.

Danger & Possibility

I am an overripe peony, full-blown and prime
A drab beggar on a pilgrimage
A haunted dove afloat
The vanishing point.
Ginger butterscotch in a honey pot.
I am bewildered, raw, the cosmos in a circus tent.
I am the chomp and fold
The echoes of flocks
A flat prison mattress.
I am the joy
The lens
The plume.

** ** **
Upcoming in-person reading: I'll be giving a reading of some of my prose (not poetry!) on Friday, September 21 as part of Juxtapositions, a quarterly live music and reading series at the Keynote Cafe in my hometown, Jeannette, PA. I'll probably be reading from an essay entitled "Thresholds," as well as from my "Roller Derby Makes Me Brave" series. If you're local, please come out for a fun night to enjoy live music from Essential Machine (folk pop), The Feel-Good Revolution (indie folk duo), and The Fledgelings (post-rock), plus readings from Dennis C. Lee (dreams and lyrics), Meghan Tutolo (poetry), and me (prose). Tickets are just $5 at the door and include light refreshments. It's also BYOB (so bring me a drink if you come!). More details are here.