Three More Good Things (one word: Squam)

Despite a tiring, rainy day outside, I'm feeling happy and shiny in my soul because I'm off to New York this weekend for a long awaited visit with a friend. The weather forecast is calling for coldish weather, but the lows don't go below 20 degrees (Fahrenheit). After enduring single digit temperatures for a few weeks this winter, anything above the teens feels manageable. So while I'm gallivanting around Brooklyn and soaking up the goodness, here's your second tidbit of soul sunshine. (Don't miss the first part. It's a good one.)

I actually have three things to tell you about today.

First is for those of you who attended the Squam Art Workshops (SAW) last year.

Liz Kalloch (also known around blogland as Athena Dreams) has pulled together a wonderful opportunity for 2008 SAW attendees: the First Annual Squam Art Show: A Vision of Squam. This show is open to anyone who attended or taught at the 2008 Squam Art Workshops. "This show is meant to be the story of how your work may have shifted and grown, how your lives as artists were perhaps changed, how the experiences you had at Squam in 2008 may have allowed you to see your work in a different way, how each of your artistic communities have grown and expanded and finally, what kind of work came out of your experience," says Liz.

The submissions deadline is April 30, 2009. (That may sound like you have plenty of time, but don't be fooled. Mistress Spring has a habit of flitting in and out of the month of March, tempting us all to distractions like flowers, flirty dresses, and cupcakes. The end of April will be here before you know it. So get to it!)

The jurors for the show are Susan Schwake, Liz Kalloch, and Mary Jo Monusky. The show will be held at artstream Gallery in Rochester, NH and opens on September 1, 2009. All of the details about submissions and the show are available here.

Secondly, this is for those of you who attended SAW last year but may feel a little shy about entering work in a juried show. (Like me!) Liz has also put out a call for a Collective Media Submission. All 2008 SAW attendees are encouraged to submit something to this category. Here's how Liz describes it: "These pieces will all be hung in the gallery like prayer flags, like meditations on a moment, like beautiful memories, or maybe even like cocooning butterflies." Doesn't that just sound too lovely not to be a part of it? Submissions for the Collective Media Submission must arrive at artstream Gallery by August 1, 2009. Again, you can find out more here.

And thirdly, this is for all of you who didn't attend the Squam Art Workshops last year. What about this year? Want to try your hand at knitting, painting, or songwriting? How about a class on storyweaving, mixed media art, poetry, outdoor sculpture, jewelry making, or photography? There are even classes on tapping into your creativity and slots for open studio time.

There are two sessions of SAW this year. The Spring Workshops will focus on fiber arts (with a few other types of classes thrown in for good measure) and will be held June 3-7, 2009. The Fall Workshops are more multi-faceted and will run September 16-20, 2009. You really need to check out the website to get all the details. Because the goodness runneth over!

I had mixed feelings after attending SAW last year, all based on my own conflicted feelings and issues. The event itself is fabulous. Over the past five months, the experience has had time to mature and mellow, and to develop a nice patina. I've realized that despite my feelings of isolation while I was there, I was actually developing new friendships that continue to grow and deepen. So I'm looking forward to going back this September. In addition to spending time with these friends, I'm looking forward to playing with paints and words, all mixed up into one messy, thrilling experience.

If you're intrigued, I hope you'll dig a little deeper and consider attending. Registration has been open for a little while now, and spaces are limited. So if you feel this opportunity tugging at your soul, don't dismiss it.

Okay, that's the Goodness Report for now. I'll be back next week with tales from the big city.

You're invited: Be Present Retreats

February is nearly over. Spring has been edging its way into this last week of the month, but I don't expect her to last. She's such a tease; here one day and then gone the next. And March is a mean bastard, full of bluster and the cold shoulder. So I'm not putting away my winter coat for flirty dresses just yet.

If you need something cheery and exciting to keep you going until Mistress Spring returns, I have some goodies to tell you about. Read on for the first one and then come back tomorrow for another.

My friend Liz Elayne Lamoreux has cooked up a new adventure called The Be Present Retreats. "These were born from the belief that creating is a meditation of the soul," Liz explains. "Each retreat will be an invitation to pause in your life and gather in a supportive environment filled with like-minded individuals in a creative, playful, and meditative atmosphere."

The first retreat is June 10-14, 2009, and registration has already begun. The June retreat is called Self-Portrait Excavation and is a retreat centered around the journey that is the self-portrait. Gathering at The Lodge at Gearhart's Little Beach on the Oregon coast (about 10 minutes from Cannon Beach), attendees will immerse themselves in paint and mixed media, words, photography, and the beauty of our surroundings under the guidance of Judy Wise, Jen Goff, and Liz.

It sounds like an absolutely magical and lovely time, doesn't it? I wish I could go, but alas, I cannot. But you? Perhaps you can go! (Do you hear it? That whisper telling you that this is just what you need? Just what you long for? Listen to that whisper. It is wisdom and kindness.) At the very least, find out a more and ponder it.

(see you tomorrow for another soulful treat!)

The Portfolio Project

image by Badgurl

Remember how I asked you to come back for this post if you like it quick and dirty? (Yes, I know: It's a stupid, base joke, but I can't help myself.) Well here you go, folks. You're just in time to play a great new game to help you overcome whatever has been blocking you from fulfilling your creative dreams.

The Jens Extradordinaire (that would be Lee and Lemen) got together and cooked up an idea they're calling the Portfolio Project. Here's how Lee describes it:

We came up with a 12-week action burst that would focus on daily production goals that will dramatically expand our body of work. This is a big game. What would your landscape look like, if 12 weeks from now you had 50 new paintings, or 100? If you had 50 new poems and short stories? What if they weren’t all amazing–don’t you think the odds are that plenty of them would be? That it would feel good to fish for the best from a vast ocean instead of a puddle of projects

The basic idea is to do your creating quick and dirty, not pretty and perfect. There is no room for perfection in this game. Just create, create, create, and see what comes out of it.

Ms. Lee is producing a series of podcasts exploring the ups and downs of the Portfolio Project. They're chockablock with little nuggets of wisdom and encouragement, so I highly suggest that you check them out and consider subscribing to find out when she posts a new one.

I'm starting to play the Portfolio Project today and invite you to join me and the others. The beauty of this game is that you can start when you want and make up your own rules. I've decided to set aside one hour a day to work on whatever kind of writing I want, free from the worries and constraints of getting it "right" or being "good enough."

Call it a game, a self-help project, an experiment. Just don't call it a New Year's resolution; those things are loaded with fear and failure rates. Be kind to yourself and start writing, painting, drawing, playing music, taking photos, making collages, whatever creative pursuit suits your fancy. And let us know how it's going.

Tell Your Story: An Interview with Jen Lee

The magical Jen Lee, photo by Jen Lemen

Some things I love:

• new friends with old souls;


• beautiful creative projects;


• learning how to do something new; and


• getting to the heart of a story.

This audio interview that I did with the radiant Jen Lee envelops all four of these things. First of all, my lovely new friend Jen has a wise soul that practically glows with creativity. To create this interview, she taught me a thing or two about using Garage Band on my new Mac. But the best part of this little interview is getting to hear a piece of Jen's story, including how and why she created Don't Write: A Reluctant Journal and Solstice: Stories of Light in the Dark, two projects that are still available for purchase on her website. (Each are part of limited edition runs, so don't wait to order them!)

Treat yourself to a warm beverage, close your eyes, and allow yourself to soak in Jen's voice as she talks about having the courage to write and making our voices heard.

(Once you click through to the audio link, just click "Play" to listen to the interview online.)

The Life of a Writer

me and my love, selves portrait; rockport, massachusetts, october 2008

Some Days
by Billy Collins

Some days I put the people in their places at the table,
bend their legs at the knees,
if they come with that feature,
and fix them into the tiny wooden chairs.

All afternoon they face one another,
the man in the brown suit,
the woman in the blue dress,
perfectly motionless, perfectly behaved.

But other days, I am the one
who is lifted up by the ribs,
then lowered into the dining room of a dollhouse
to sit with the others at the long table.

Very funny,
but how would you like it
if you never knew from one day to the next
if you were going to spend it

striding around like a vivid god,
your shoulders in the clouds,
or sitting down there amidst the wallpaper,
staring straight ahead with your little plastic face?

---------------------
"Some Days" from Picnic, Lightning, by Billy Collins, © 1998. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the University of Pittsburgh Press.

Online source: Academy of American Poets, http://www.poets.org/viewmedia.php/prmMID/19753